Michael Craig-Martin: a conversation (part one)

The Future Is Papier Mâché

5th January 2016, David Cook and I visited Michael Craig-Martin: Transience at the Serpentine Gallery in London. Afterwards, we discussed the show by email. The following is the result of several weeks’ electronic toing and froing. The exhibition ends today.

David: I was extremely keen to see this show, but my expectations of it were uncertain: I was familiar with Michael Craig-Martin’s work but I had never seen a large body of it together. To some extent I am still ambivalent, but I am glad to have something solid to be ambivalent about. I was very impressed with a wall drawing of a coffee cup that was in the R.A. summer show, but I have also been less impressed by some things he has said and slightly put off by his role as the midwife of Goldsmiths’ YBA talent factory. Did you have any preconceptions about the show?


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