Richard Diebenkorn: a conversation (part three)

Being the dramatic concluding part…

The Future Is Papier Mâché

22nd May 2015, David Cook and I visited the Richard Diebenkorn exhibition at the Royal Academy of Arts in London. Afterwards, we discussed the show by email. The following is the result of several weeks’ electronic toing and froing. Here’s the third and final part…

David: I am not sure I can really work the historical links out – his work has caused some of the slender threads that hold my conception of art history in place to unravel. And I’m not sorry about that. One of the things that I dislike about art history is its predilection for a style based taxonomy. That goes for people who think they can identify a genuine Rembrandt based on a few brush marks or for more modern critics (including Greenberg and Rosenberg) who seek to define movements based on superficial similarities of style. Although I admire Greenberg in particular for his…

View original post 839 more words


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s