Richard Diebenkorn: a conversation (part two)

Being part two of my conversation with Richard Guest …

The Future Is Papier Mâché

22nd May 2015, David Cook and I visited the Richard Diebenkorn exhibition at the Royal Academy of Arts in London. Afterwards, we discussed the show by email. The following is the result of several weeks’ electronic toing and froing. Here’s part two…

Richard Diebenkorn, Berkeley #5, 1953 Berkeley #5, 1953
Oil on canvas, 134.6 x 134.6 cm
Private collection
© 2014 The Richard Diebenkorn Foundation

Richard: That’s a very interesting point. Diebenkorn titles his paintings with version numbers indicating he doesn’t consider he can deliver a definitive take on a given subject. Which reinforces the idea that he is not interested in making grand statements, but in taking a more reflective, objective, distanced approach to his subjects – and perhaps, in turn, commenting on the act of painting itself.

Berkeley #5 looks like a loose landscape with suggestions of body parts creeping in and a lush, sweet use of gesture and colour that could…

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